Guest house – Center Hostel http://center-hostel.com/ Fri, 10 Sep 2021 08:15:01 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://center-hostel.com/wp-content/uploads/2021/08/icon-2021-08-02T211356.633-150x150.png Guest house – Center Hostel http://center-hostel.com/ 32 32 Tuck Jagadish review: heartless Nani saves village amid wobbly drama https://center-hostel.com/tuck-jagadish-review-heartless-nani-saves-village-amid-wobbly-drama/ https://center-hostel.com/tuck-jagadish-review-heartless-nani-saves-village-amid-wobbly-drama/#respond Fri, 10 Sep 2021 07:54:35 +0000 https://center-hostel.com/tuck-jagadish-review-heartless-nani-saves-village-amid-wobbly-drama/ (Spoiler alert) In the first eight minutes of Tuck Jagadish, a Telugu-language drama directed by Shiva Nirvana, four men are horribly murdered, in separate incidents of land disputes. Scenes of betrayal, sharp lamentations and rough handling in a village ruled by a brutal landlord. However, in the ninth minute, the film changes its costume to […]]]>

(Spoiler alert)

In the first eight minutes of Tuck Jagadish, a Telugu-language drama directed by Shiva Nirvana, four men are horribly murdered, in separate incidents of land disputes. Scenes of betrayal, sharp lamentations and rough handling in a village ruled by a brutal landlord. However, in the ninth minute, the film changes its costume to become a comedy. The hero’s return. Jagadish (Nani) enters a shiny car, displaying deadpan humor. In his sumptuous house, he finds a horde of relatives who, like diligent performing artists, introduce themselves one by one and perform a soap opera melodrama. The background score oscillates unevenly between cutesy and optimistic.

In Tuck Jagadish, emotional continuity is as petty a concept as subtlety.

At the center of the film are two feudal families. Jagadish, the descendant of one of the families, possesses a ridiculously high version of righteousness. In one of the first scenes, he is seen carefully caring for an injured poultry. At the same time, Veerendra (Daniel Balaji), the head of the Second Family, is a bloated villain who flexes his muscles and clenches his teeth for reasons as minor as a moaning baby. A murderer without remorse, the latter is also a habitual sexual harasser. He controls the local land revenue office, the center of the film’s conflicts, using money and muscle.

Veerendra is the yin of the Jagadish yang; a rude villager diagonally opposed to a modern educated man who likes to dress as if he’s ready for the office at all times. When the villain sets out to seize the agricultural plots of the peasants, the hero abandons his childhood and assumes the role of guardian of the village.

Tuck Jagadish belongs to the new Telugu cinema which borrows elements from the old left cinema Erra which portrays the struggles of the peasant community in the region, not because it approves of the latter’s ideology, but because it has the look cool. In a first scene filmed as a joke, the hero and his friends dress up as Naxalites and assault a corrupt officer in his official guesthouse. In a pivotal scene, Jagadish urges the peasants to confront Veerendra and claim their right to work on their land. A folk song about farming begins in the background, only to morph a few lines later into a devotional song that praises the late owner (Nasser) and his suave, educated son. Like in movies like Maharshi, the landlord is not a despicable entity in Tuck Jagadish, but a redeemer, an overseer of reforms.

There are plenty of twists and turns in Tuck Jagadish but, thanks to unimaginative writing and staging of scenes that make the story chaotic, none of them are convincing. The pivotal scene of the revelation is inserted into the narrative in the silliest way, likely to have the most loyal mass-movie viewer say, “Really, now ?!”

And Jagadish is not a character who deserves to be compassionate or to root for. He does not undergo a journey but remains motionless and detached throughout the story, like a demigod fed by his lineage. From time to time, he remembers his childhood, his sparkling eyes and a piece of sentimental music played in the background. However, the flashback bits show an indescribable childhood, nothing worthy of the viewer’s attention.

The film’s most precious secret is the duality of his personality. For viewers who might feel disappointed with the hero’s aversion to violence at the start of the scene, the film offers several freebies in the second half of the narrative. Jagadish unleashes a bloody assault on the bad guys, chopping off limbs and shattering bones while making sure to keep his facial muscles still and his hairstyle intact. Don’t be fooled by the tucked-in shirt and sophisticated manners of the young owner, the film gladdens as he can perform gravity-defying stunts and carry a sickle like any masala movie hero.

Nani, whose greatest strengths are his comedic timing and a natural charm that thrills him in romantic comedies, stiffens and mimics his lower contemporaries, turning Jagadish into a lifeless cliché. The court scenes featuring him and Ritu Varma, who plays a junior officer in the land revenue office, are boring. The actors’ performances seem lukewarm, as if they sense the romance is under their characters. Varma, a solid actress, is wasted in a role where she plays the hero’s sidekick who watches him with admiration and pride at regular intervals. Additionally, the film has Aishwarya Rajesh, a fantastic actor, in a supporting role that could have been played by a table lamp.

What makes mass movies work are the little things – inverted clichés, quirks synchronized with the internal logic of the narrative, and a hero who knows his strengths. Tuck Jagadish has a masala exterior, but he uses the wrong mix of sentimentality and a display of righteousness to tell the story. There is no intelligent or vivid moment to review in the narrative. All there is is pervasive blandness.

****

This Tuck Jagadish the exam is a Silver screen original article. It was neither paid for nor commissioned by anyone associated with the film. Silverscreen.in and its authors have no commercial relationship with the films that are reviewed on the site.


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A local guide from Nagaland, India https://center-hostel.com/a-local-guide-from-nagaland-india/ https://center-hostel.com/a-local-guide-from-nagaland-india/#respond Wed, 08 Sep 2021 11:56:39 +0000 https://center-hostel.com/a-local-guide-from-nagaland-india/ Jesmina Zeliang is an award-winning serial entrepreneur from Nagaland, one of India’s most culturally diverse states. Through her interest in crafts and hospitality, Jesmina shines a light on some of the region’s most exciting textiles, crafts and experiences. She lives in Dimapur. This interview is part of The world is local, a worldwide collaboration between […]]]>

Jesmina Zeliang is an award-winning serial entrepreneur from Nagaland, one of India’s most culturally diverse states. Through her interest in crafts and hospitality, Jesmina shines a light on some of the region’s most exciting textiles, crafts and experiences. She lives in Dimapur.

This interview is part of The world is local, a worldwide collaboration between the seven international editions of Condé Nast Traveler in which 100 people in 100 countries tell us why their territory should be your next destination.

Tell us about Nagaland.

Nagaland is a cultural paradise, one of the most ethnically diverse regions in the world, home to 16 major tribes, including the Konyaks, considered to be the last tattooed headhunters. It is the perfect place for those who love culture, crafts and nature.

RONGSEN JAMIR

When should we come and what should we do?

April to October is a good time to visit, in general. But the best experience you will have will be in December, when the Hornbill festival bring all the hill tribes for a 10 day celebration of food, music, dance, culture and crafts. Despite being a local, I have never missed a single edition in the past 20 years! It’s a cultural orgasm, to say the least.

Land in Dimapur, ideally on Tuesday. On Wednesdays, the town hosts a weekly bazaar where you get a first glimpse of Naga culture: flowers, fruits, vegetables and other foods, including local exotic produce: nutritious varieties of insects, snails, frogs, vintage and new clothing. , utensils, crafts et al. You can go completely crazy! Taste the stalls, then have lunch at Naga bowl, an unpretentious restaurant that serves local cuisine. Look for a few permanent shops in the market that may have interesting traditional artifacts and period jewelry. Sovima Design center [run by Zeliang’s design firm Heirloom Naga], watch artisans handcraft beautiful objects from cane, bamboo and other natural materials. The Center can also organize tours for you to textile and weaving communities just outside of town. In the evening, head to the clock tower and sample other local street food at the stalls that appear nightly. Naturally Nagaland on Hwy 39 could also be a good stop to pick up some of the best herbs, pickled peppers (you can’t go back without picking up a bottle of Raja chili sauce or paste from local entrepreneurs), legumes, millet , varieties of rice. In the evening you can relax in the stylish lounge Nichey Resto Where The black sheep. Will stay Niathu seaside resort for a little comfort, or at Iliah-Ki, a 5 room affair with a restaurant wrapped around a tree. For a clean and comfortable stay in town, try Oasis Guest House.


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Kathleen Ayarts and her husband Stephen in All States: “It happened, we are broke” https://center-hostel.com/kathleen-ayarts-and-her-husband-stephen-in-all-states-it-happened-we-are-broke/ https://center-hostel.com/kathleen-ayarts-and-her-husband-stephen-in-all-states-it-happened-we-are-broke/#respond Sun, 22 Aug 2021 19:00:00 +0000 https://center-hostel.com/kathleen-ayarts-and-her-husband-stephen-in-all-states-it-happened-we-are-broke/ Sunday August 22, 2021 – 4:30 p.m. Photo: VTM I by editors Kathleen Aerts and her husband Stephen have dreamed of their own guesthouse in South Africa for years. At Villa South Africa, from Monday 23 August at the VTM, we will be able to follow them in this adventure. In one of the previews […]]]>


Sunday August 22, 2021 – 4:30 p.m.